Greetings From Harlem

Tom Sanford’s latest solo exhibition, “Greetings from Harlem” is on show at London’s Palm Tree Gallery until the 18th of April. In this exhibition, Sanford introduces us to his neighbourhood: the people and places of a rapidly changing small corner of Harlem. This new body of work continues Sanford’s exploration of the American Low Brow with masterful painting techniques that borrow equally from the pages of art history texts and from comic books. His paintings, that seem to simultaneously celebrate and criticize American excess, explore the artist’s ambivalence to his national culture. Having worked his way through all manner of popular culture, from hip hop to celebrity culture to news and politics, this time Sanford turns his attention to the very local: his neighbourhood. With a style that is both lurid and meticulous, Sanford presents 7 genre paintings of the people and places he encounters in his daily life. In “A Bird in the Hand Beats Three in the Hole,” three friends and a bartender gather at Sanford’s local bar, Harlem Public, where one appears to be overNserved. The bird in Mark’s hand, the garish beer labels written on the blackboard, the tNshirts and playing cards all reveal clues about the people and their relationship. “Julia and Trevor” is a portrait of the eccentric couple who live across the street from the artist and spend hours every day on their porch tending to their miniature garden, chainNsmoking cigarettes and talking to everyone who passes by ranging from the Franciscan friars who live around the corner, to children on their way to the playground, neighbours walking their dogs and the drugNdealers who set up shop outside the corner store. Sanford’s paintings are also complimented by 10 drawings, featuring singular portrayals of some of the characters who populate these paintings. “For all the warts and all relentlessness of his artistic gaze, there’s something magical about Tom Sanford’s Harlem. His own generosity of spirit, however slightly curdled, is well matched by the people and spirit he has found, fostered, and fuelled in his adopted home.” N Mark Jannot (Sanford’s neighbour who is a writer, friend, drinking buddy and now painting subject). Sanford is a Harlem based artist who’s work has been exhibited extensively in museums, galleries and and art fairs around the world. Curated by Georgia Deacon & Sam Palmer Private Opening: Tuesday, 23rd March 2017, 6pm – 9pm Exhibition Opens: Wednesday, 24th March 2017, 11am N 6pm th For online preview request: info@palmtreegallery.com For sales & exhibition Information: georgia@palmtreegallery.com Artist website: tomsanford.com

Tom Sanford’s latest solo exhibition, “Greetings from Harlem” is on show at London’s Palm Tree Gallery until the 18th of April. In this exhibition, Sanford introduces us to his neighbourhood: the people and places of a rapidly changing small corner of Harlem.

This new body of work continues Sanford’s exploration of the American Low Brow with masterful painting techniques that borrow equally from the pages of art history texts and from comic books. His paintings, that seem to simultaneously celebrate and criticize American excess, explore the artist’s ambivalence to his national culture. Having worked his way through all manner of popular culture, from hip hop to celebrity culture to news and politics, this time Sanford turns his attention to the very local: his neighbourhood.
With a style that is both lurid and meticulous, Sanford presents 7 genre paintings of the people and places he encounters in his daily life. In “A Bird in the Hand Beats Three in the Hole,” three friends and a bartender gather at Sanford’s local bar, Harlem Public, where one appears to be overNserved. The bird in Mark’s hand, the garish beer labels written on the blackboard, the tNshirts and playing cards all reveal clues about the people and their relationship. “Julia and Trevor” is a portrait of the eccentric couple who live across the street from the artist and spend hours every day on their porch tending to their miniature garden, chainNsmoking cigarettes and talking to everyone who passes by ranging from the Franciscan friars who live around the corner, to children on their way to the playground, neighbours walking their dogs and the drugNdealers who set up shop outside the corner store. Sanford’s paintings are also complimented by 10 drawings, featuring singular portrayals of some of the characters who populate these paintings.
“For all the warts and all relentlessness of his artistic gaze, there’s something magical about Tom Sanford’s Harlem. His own generosity of spirit, however slightly curdled, is well matched by the people and spirit he has found, fostered, and fuelled in his adopted home.” N Mark Jannot (Sanford’s neighbour who is a writer, friend, drinking buddy and now painting subject).

Sanford is a Harlem based artist who’s work has been exhibited extensively in museums, galleries and and art fairs around the world.

Curated by Georgia Deacon & Sam Palmer Private Opening: Tuesday, 23rd March 2017, 6pm – 9pm

Exhibition Opens: Wednesday, 24th March 2017, 11am N 6pm

th

For online preview request: info@palmtreegallery.com For sales & exhibition Information: georgia@palmtreegallery.com Artist website: tomsanford.com

She Sells Sea Shells at the Sea Shore

Eric Firestone Gallery Presents:

She Sells Seashells By The Seashore

July 11, 2015 – August 2, 2015 Opening Reception: July 11, 6 – 9 PM

"Main Beach, East Hampton," Tom Sanford 2015, oil on canvas, 40" x 50"

"Main Beach, East Hampton," Tom Sanford 2015, oil on canvas, 40" x 50"

EAST HAMPTON, NY: Eric Firestone Gallery is pleased to announce She Sells Seashells By The Seashore, a group exhibition that brings the beach to the gallery. The Hamptons has long served as a meeting ground for bohemian spirits and the well-heeled, alike. It is a natural respite, as well as a chic outpost of the nearby city. What draws us to this coastal stretch year after year is the beach. On our shared sands, the Hamptons is not just a destination: it is a community bound together by a state of mind. Something in the ocean breeze rids us of our winter pretenses and clothing. An energy is absorbed from the sun and stars, pools and popsicles, seafood and S’mores. Summer strips us down to our bare essentials and brings us back to the basics.

Through various means, each artist in the exhibition emphasizes symbols of Summer. FriendsWithYou’s sculpture, Raisin Bran Sun, depicts Kellogg’s familiar mascot, Sunny, an icon of the brand introduced in 1966. Since then, Sunny has undergone major cosmetic alterations. Today, Kellogg’s still portrays the smiling sun scooping mounds of raisins into every box. For She Sells…, the Los Angeles-based collective re-imagines the American icon away from commodification and towards the original subject: a smiling sun. James Ulmer too, shows pared down symbols of Summer, using punchy primary colors to depict scenes at a beach. In Ulmer’s painting, his cartoon-like characters coexist on a flattened plane, mirroring the experience of going to the beach on a crowded day.

Moreover, the exhibition presents the convergence of technology and nature. Eric Yahnker approach- es this with humor in Selfie Preservation, commenting on a generation’s obsession with smart tech- nology. An outstretched hand, reminiscent of Michelangelo’s Creation of Adam, emerges from rough waves, clutching an iPhone, tilted at the perfect angle for a selfie. She Sells… is about enjoying aes- thetics and appreciating artists’ intentions–yet, it is not about taking oneself seriously. So, succumb to that inner child who builds sandcastles at the beach and watches them as they wash away with the tide. We’ll cushion the floor with sand, and you won’t need a beach pass to enjoy the view.

She Sells Seashells By The Seashore features artworks by Derrick Adams, BÄST, Sanford Biggers, Katherine Bradford, Caroline Wells Chandler, James Clar, Peter Dayton, Michael Dotson, Jim Drain, Sebastian Errazuriz, Phillip Estlund, Sam Friedman, FriendsWithYou, Chris Johanson, Misaki Kawai, Andrew Kuo, Anthony Miler, Isaac Nichols, Erik Parker, Raymond Pettibon, Tom Sanford, Kenny Scharf, Jen Stark, Agathe Snow, Max Snow, Devin Troy Strother, Jay Stuckey, James Ulmer and Eric White, Eric Yanhker.

Heathen Fundamentalism at The Lodge

Heathen Fundamentalist

An Ode to Philip Guston

at the Lodge Gallery, 131 Chrystie Street, NYC.

June 3, 2015 – June 28, 2015
Opening Reception Wednesday, June 3rd, 7-9pm

Artists: Paul BrainardDawn FraschAaron JohnsonLaura MoriartyDoug ParryLeonard Reibstein, and Tom Sanford.

Underlying his iconic imagery and heightened sense of primordial time, beyond the movements between figuration and abstraction, there is a general optimism in the post-50’s work of Philip Guston. Behind each oddly described object there is a desire to like the world and discover little pleasures in the unfamiliar and sometimes darker recesses of reality. Guston’s post-50’s studio was a menagerie of masterful deconstruction and then obliteration of formal painterly concerns. It was through this transformation that he learned to navigate the difficult science of color and began to experiment with non-hierarchical configurations of order.

As an artist who was made famous for work that was stubbornly eccentric to the contemporary enthusiasms of his day, his style and unique voice have proven to carry some serious lasting power. But it was over forty years ago that Guston’s work transformed the world of painting. If legacy is built on the influence of future generations what sort of influence has Guston’s work had on the imagination of today’s studio artist? What has Philip Guston done for you lately? To answer this question The Lodge Gallery presents “Heathen Fundamentalist” on view from June 3rd through June 28th.

The Lodge Gallery, founded by Keith Schweitzer and Jason Patrick Voegele, is located at 131 Chrystie Street on Manhattan’s Lower East Side. It is the exhibition venue of Republic Worldwide and serves as both an art space and a gathering place for hearty discourse and experimentation.